When typography becomes a symbol of social decay, you know Jeremy Serwer means business. ‚Times New Roman‘, taken from the ninth double album The Nines, is an outcry. Rhythmically intricate and bold in its construction, the track moves between future rock and prog-soaked experimentation as if rebelling against the concept of genre itself.
Serwer addresses issues at the heart of the post-truth era: the abolition of the printed word, the decline of objective media and the transformation of language into an ideological weapon. The lyrics depict a world that has lost its way, not because it has been forgotten, but because it has been deconstructed.
This fragmentation is reflected musically in shifted beats and deconstructed soundscapes. The result is uncomfortable and provocative, yet precisely for this reason, it is relevant. Serwer does not offer simple fare; he presents truth in the guise of chaos. Bravo.

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