„Overlord“ – Forgotten Garden

„Overlord“ hits home immediately, a song that, although it tells an old story, captivates with its contemporary relevance: money, power and corruption are not only addressed, but negotiated in a character who, having become rich yet insatiable, places himself above the law and acts as a smokescreen gangster behind a shiny façade. Musically, Forgotten Garden…

Forward Mode: UNHINGED redefines the underground

Arpraxis is over, and this farewell feels less like a final curtain and more like a slow fade: the remaining tracks don’t feel like signposts, but rather like snapshots of a project that retains its strengths without dictating a direction. ‘The House That Sleeps at Night’ exudes house emotions; over 6:38 minutes, a loose, fluffy…

„Blood“ – pMad

With “Blood”, a track that feels less like a conventional single and more like a dispatch smuggled out of a collapsing world, Irish post‑punk and gothic agitator pMad channels a landscape where nameless power brokers strip away lives, childhood, and freedom — and yet, instead of sinking into the despair that such imagery invites, the…

‘Two Men by the Harbour’ – Ulrich Jannert

Ulrich Jannert’s ‘Two Men by the Harbour’ is a concentrated, intellectually tuned piece that translates the existential polarity of security and freedom into a musical allegory; the production is restrained: warm soul-rock timbres, subtle R&B echoes, folk guitars and a subtle country flavour intertwine to create an organic soundscape in which silence and space function…

The People – Egger

Following the acclaimed debut “Strange Behaviour”, which was warmly received by the press, EGGER returns with his new single “The People”. This release marks a clear artistic progression: while the foundation of cool synths and minimalist electro remains intact, EGGER leans further into the aesthetics of 80s Dark ElectroPop. A pounding bass drum, reminiscent of…