Sylvie Dumontier’s new single „Les premiers matins“ lands quietly but precisely — contemporary French pop that, rather than filling every corner, deliberately leaves space to breathe and zooms in on the small, telling details; Denis Larochelle’s arrangement, intentionally spare — plucked guitar, a drifting piano, barely-there brass — threads those elements into an intimate, almost…
Kategorie: Female Artist
„weird kids write hits (album)“ – Katie Drives
Not a debut, more like a coming-of-age story in chapters: Katie Drives turns ‘not belonging’ into a pop rock statement with a 2000s glimmer and real scratch marks. Between reality check and escape fantasy, she overturns facades – therapy, self-harm, derealisation don’t appear as drama, but as everyday patina. It sounds raw, but never sensationalist:…
‘Late Night’ – Emilie Thorsby
With ‘Late Night,’ Emilie Thorsby delivers an after-hours claim: a tribute to the real work of the indie scene, clearly positioned against generic machine-made music. The night serves not as an escape, but as a workshop – asphalt glare, studio lights, heart rate in sync. Quiet resolutions become collective drive; orientation emerges in the in-between,…
„Glitter and Glam“ – Eylsia Nicolas
As soon as „Glitter and Glam“ kicks in, you feel this pull that doesn’t ask, but draws you in – into a world of sound where vintage house echoes and modern club aesthetics flow into one another. The beat, driving and uncompromising, forms the foundation, while synthesizers sparkle above it, dancing through the room like…
‘In the 1970s’ – Jackie K
With ‘In the 1970s’, Jackie K opens a musical album of memories that takes us straight back to childhood. The very first lines transport us back to a world where a pool table in the basement, macaroni for lunch and two television channels were all we needed to be happy. The music itself is minimalistic,…
‘Common Denominator’ – Geneviève Racette
Geneviève Racette presents with ‘Common Denominator’, a calm, haunting folk-pop song that stands out for its clear observations. The lyrics depict someone who repeatedly plays the victim and blames others — first ex-partners, then friends, and finally the narrator. Evidence of controlling and manipulative behaviour can be found in small clues such as burned bridges…
