„So eine Meinung“ – splITterMann. „So eine Meinung“ ist eine scharfsinnige, sprachzentrierte Bestandsaufnahme unserer Diskurskultur. Musikalisch bewusst reduziert, rückt der Song den Text in den Mittelpunkt: knappe Arrangements und präzise Pausen geben jeder rhetorischen Zuspitzung Raum. Die Stimme wechselt zwischen aggressiver Behauptung und selbstentlarvender Unsicherheit, wodurch die Figur zugleich Ankläger und Objekt der Satire wird….
Kategorie: Indie Music
The Music I Still Adore – E.G. Phillips
E.G. Phillips’ The Music I Still Adore unfolds as a sober yet lingering composition in which Americana and folk do not merely coexist but are braided into a concentrated narrative, the piece eschewing theatricality in favor of economy—sparse acoustic layers, delicate rhythmic inflections and occasional harmonic turns that, while suggesting a jazz lineage, never allow…
ListenNOW 01/26
‘Truth or Dare’ – Ninå With ‘Truth or Dare’, Ninå has released one of those tracks that doesn’t need to shout for attention because its tension burns in the subtext. Since its release, the song has been circulating in the playlists of those who are stuck between the healing phase and ‘maybe I’ll try again’….
‘Darkness to Light’ – Andrew Corbin
Andrew Corbin’s new LP Darkness to Light feels like a carefully staged transition, an album that doesn’t just accompany its listeners, but guides them through a clearly defined dramaturgy: it begins in foggy introspection and works its way, piece by piece, towards a warm, energetic morning light. Right from the start, Cinematic Death (welcome to…
„Overlord“ – Forgotten Garden
„Overlord“ hits home immediately, a song that, although it tells an old story, captivates with its contemporary relevance: money, power and corruption are not only addressed, but negotiated in a character who, having become rich yet insatiable, places himself above the law and acts as a smokescreen gangster behind a shiny façade. Musically, Forgotten Garden…
Forward Mode: UNHINGED redefines the underground
Arpraxis is over, and this farewell feels less like a final curtain and more like a slow fade: the remaining tracks don’t feel like signposts, but rather like snapshots of a project that retains its strengths without dictating a direction. ‘The House That Sleeps at Night’ exudes house emotions; over 6:38 minutes, a loose, fluffy…
