‘I’m fine’ – Treasure BoXX

‘I’m fine’ bridges the gap between electronic grooves and alternative rock, a track with a powerful beat that remains subtly fragile at the same time; the production drives forward while the words take a different direction, creating a tension that doesn’t quickly subside. The images — an empty room, nudity as a metaphor for vulnerability,…

„Spiral of Time“ – Samuel The Artist

With „Spiral of Time“, Samuel Abelow strikes a chord that immediately feels accessible: like a quiet afternoon in Brooklyn, when the light is fading and you automatically look inward. The song comes across as quiet, almost casual, carried by open chords on the acoustic guitar, organic drums and a Stratocaster that breathes through a warm…

‘3rd Rock’ – Barrelly Ego

Barrelly Ego delivers indie rock with backbone: a song about parenthood as a daily imposition and silent heroism. The verses keep the pulse flat, close to uncertainty; the hooks open up the space and briefly turn doubt into something like courage. Tight drums, a driving bass and guitars that blossom from brittle jangle to open…

FiloFX Records – 28th November: “Better Days” – Andrew Corbin

News: “Better Days” – Andrew Corbin Andrew Corbin (Toronto) brings us “Better Days,” an electronic foray that, while braiding club energy with an inner compass, refuses mere retro comfort; upbeat drums and a deep, breathing sub‑bass press forward with a confidence that feels earned, while vocals—floating like aurora—hover close enough to guide, yet never to…

„Forever Alone Again“ – Sad Fussball

„Forever Alone Again“ öffnet sich wie eine flirrende Hitzewelle über einer Stadt, die auf den ersten Blick sonnig wirkt, aber innen von einer tiefen Melancholie durchzogen ist; Sad Fussball nimmt vertraute Rockgesten, knetet sie mit lakonischem Drive und balladesker Wehmut zu einem Klang, der zugleich retro und frisch atmet, und lässt die Produktion so luftig,…

“We’re Not Suburban” – Velatine

With “We’re Not Suburban”, Melbourne‑based Velatine takes a confident step toward a darker pop aesthetic, and under the direction of producer Loki Lockwood a soundscape unfolds that oscillates between darkwave, gothic, post‑punk and industrial while, surprisingly, feeling fresh; Lockwood’s production, marked by precision and technical detail, is nonetheless threaded with an ease and fluidity in…