‘Today Is For Forgetting’ – A.S. Fanning

With ‘Today Is For Forgetting,’ A.S. Fanning opens a window into a dim, expansive inner life: the second single from the upcoming album Take Me Back To Nowhere balances between inner dissolution and cosmic clarity. The track starts off almost buoyantly, a deceptive lightness that quickly turns into a flood of words; Fanning’s deep baritone…

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“Tonight: We Invite The Moon” – Legacy of Lovers (Ryne D. Trevlon)

With “Tonight: We Invite The Moon,” Ryne D. Trevlon delivers a warm, modern chill vibe that, by focusing on reduction, creates space in which the music can breathe and the listener can drift; airy pads unfurl like a night-time horizon while restrained percussion, tracing contours more than driving them, keeps the pulse human and soft….

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„Sinner — Reimagined“ – Hiroki Grin, Melodiva

„Sinner — Reimagined“ appears as part of the B-side EP Landscapes | Reimagined and marks the first collaboration between the creators of the original (Melodiva) and the Berlin duo Hiroki Grin. Hiroki Grin strip the indie folk material of its songwriter’s garb and transport it into an electronic, atmospheric sphere. The track begins in thin,…

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„weird kids write hits (album)“ – Katie Drives

Not a debut, more like a coming-of-age story in chapters: Katie Drives turns ‘not belonging’ into a pop rock statement with a 2000s glimmer and real scratch marks. Between reality check and escape fantasy, she overturns facades – therapy, self-harm, derealisation don’t appear as drama, but as everyday patina. It sounds raw, but never sensationalist:…

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‘Late Night’ – Emilie Thorsby

With ‘Late Night,’ Emilie Thorsby delivers an after-hours claim: a tribute to the real work of the indie scene, clearly positioned against generic machine-made music. The night serves not as an escape, but as a workshop – asphalt glare, studio lights, heart rate in sync. Quiet resolutions become collective drive; orientation emerges in the in-between,…

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