„The Writing on the Wall“ – Chancy Squire

Chancy Squire open their new album, „Face Of Thousand Colours,“ with a track that takes a stand. „The Writing on the Wall“ condenses contemporary tension into a clear melody: delicate chords provide orientation, a persistent pulse carries the urgency. The voice leads with controlled sharpness, without preaching. The lyrics bring together the present and the…

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‘Stop the Sky’ – kamikaze

With their third single, kamikaze expand the emotional spectrum of their debut album, announced for 2026, with a calm, critical edge: a look at the friction between the inner world and external noise, between longing and overload. Where ‘Dreamland’ floated and “Hell” showed its teeth, ‘Stop the Sky’ draws the lines inward – less pose,…

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„Hollow“ – Springworks

On „Hollow“, Springworks hurl retro jangle through an indie rock shredder and let 60s glitter shimmer like Rickenbacker tin foil: ringing guitars, nervous tambourine, tape-crackling drums that tick like a racing heart. The production remains permeable but eerie—a resonance chamber in which emptiness mutates into the protagonist and coolness implodes as a masquerade. Instead of…

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NB – INDIE TOP 20 – 5.Dec.25

NB – INDIE TOP 20 – 5.Dec.25 1 (2) Version of Us Davide Carbone2 (3) Apocalypse Buddy Shane Palko, Skyler Cumbia, Matthew Halley3 (7) Red Allegra4 (5) I Believe In You John Fishell, Deepak Ram5 (1) 15 Minutes of Fame AC Scott6 (12) Haze of Time Hallucinophonics7 (14) Let It Out! Lemon8 (new) I Was…

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‘Strange Behaviour’ – EGGER

‘Strange Behaviour’ is the debut track from the electro-experimental project EGGER, founded by Wolfgang Egger. Musically rooted in the electronic sound of the late 1980s, the song combines analogue synth sounds, pulsating sequences and dystopian soundscapes to create a hypnotic soundscape. In terms of content, ‘Strange Behaviour’ reflects the increasing irritation in dealing with technology….

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‚Omens‘ – Dream Bodies

‚Omens‘ feels like a long night: empty, cold, but full of feeling. The drums tick cautiously, the bass pulsates darkly and persistently, while synths and guitars stretch out wide, frosty expanses. Steven Fleet’s voice lies over it like a narrow ray of light, vulnerable and determined at the same time, naming loss without pathos and…

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