Here, Carlos Ucedda reveals himself to be an artist whose versatility does not come across as a deliberate stylistic device, but rather as something that wells up from within him and inevitably transforms into sound. Whilst his new composition unfolds like an interstitial space – somewhere between the body and the cosmos – house and techno structures lay a pulsating foundation over which operatic lines and subtle echoes of Neue Deutsche Härte are superimposed, as if breaking through the soundscape in irregular yet compelling bursts. What is particularly striking here is the way Ucedda weaves futuristic visions with an almost disarming vulnerability, so that the ambient-like layer he stretches over it feels not merely like an additional sound, but like a state in its own right: a floating field in which atmosphere becomes inner light, and this light in turn opens the way to another dimension. His voice guides us through these spheres, searching and revealing at the same time, and transforms the inner conflicts – voices, darkness, longing – not into narrative, but into pure energy. The result is a work that possesses its own gravity: intense, visionary, unmistakably Ucedda.

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